Tag: kdp select

Jo and Lindsay recorded early this week, since Lindsay is off to the 20Booksto50K conference (inspired by Michael Anderle, as Lindsay said in the show, but put together by Craig Martelle, which Lindsay should have said!). While Jeff was busy packing up his house to make his move to Phoenix permanent, Jo and Lindsay offered some tips on how to do well if you choose to go exclusive with Amazon to enroll in Kindle Unlimited. They also answered some great listener questions related to the topic.

Here’s what we discussed, swiped straight from Lindsay’s notes (they aren’t too tidy; you should definitely listen to the show!):

Is KDP Select/Kindle Unlimited right for you?

Personal considerations (supporting Amazon and possibly hurting other retailers, bowing to their demands for exclusivity, having all your eggs in one basket) + can you do better exclusive and in KU than wide = your unique answer!

Lindsay’s strategy and why?

Staying wide with the back catalogue and launching new series into KU, then eventually moving them out when sales/borrows slow down. How this has resulted in a nice boost in income for her without having to have all of her eggs in one basket.

Launch strategies –

• Rapid release and advantages – momentum, less reader attrition, possibly more visibility, something in the hot new releases every month, possible to get the All-star bonuses by focusing your efforts into a couple of months.
• Slow and steady – maybe releasing two-four books a year on a regular schedule – we’ve had people who have kept things rolling with promos and sales and just consistently releasing new books. KU can still be useful if you’re able to keep your books selling… these folks often invest more time and money into advertising to keep from falling off the face of the planet

Pricing considerations –

• 99 cents vs. full price – More non-KU people may pick up a 99-center, which helps with rankings, but at that price you’re making less on a novel if people buy instead of borrow.
• $4-$5 – People get away with this and are more likely to get a book to stick in KU because of the borrows buoying things up. BUT if your book isn’t to market or really going to appeal to a lot of people, this can make you sink more quickly than a 99-cent Book 1.
• Launching with your 5 free days – I haven’t tried this but I’ve heard from several people now who had some good momentum by trying this right out of the gate.
• Remember, if you’re doing a series, it’s about what you can earn over the course of the series, not just from one book.

Focusing on one genre and releasing frequently or at least consistently –

• This is an area where I fail a bit, and I would struggle more if I wasn’t fairly prolific. It’s also why I’ve started focusing on one series to completion – drop three quickly and then one more a month or as close as possible. This gives you some of the “sticking to one genre” advantage even if you fully plan to write in another genre next year.

Writing to a hungry market –

• Look in the Top 100s you’re interested (Chris Fox style) and see what’s selling. What sells steadily year in and year out? What’s come on strong in the past year? Think less about trends and more why is something working – because trad publishing isn’t fulfilling a demand? There’s a possible market.
• When examining potential niches, also consider looking at the Amazon AUS/CA store, etc. to get a feel for what’s selling without AMS ads, since that can really obfuscate things – you have no idea how much the publisher of that perennial bestseller is paying to stay in their Top 100.

Can niche stuff work?

Depends on the niche – is there a hungry market that isn’t being served by trad pub or is it just kind of out there? Something that’s only going to appeal to a small audience like a steampunk fantasy lesbian romance? KU isn’t going to be great for something that a large portion of people just won’t pick up because they’re not into X thing. This is the kind of case where I like going wide with a series because you can do a permafree book 1 and reach a global market (sometimes things that are hangups in one country are less of a big deal in others!), so you just have much more potential to find the people who DO want X.

However, if there’s a hungry market, it can do super well in KU even if it’s niche. You need it to be niche in a way that it’s not off-putting to the majority of readers. That’s when KU is useful. “Well, I’m not sure LitRPG is my thing, or even what it is exactly, but huh, it’s about gamers, and I gamed as a kid… enh, let’s try it.” That’s where KU is ideal because the readers can check out the books for free with their subscription, so they might pick up things they wouldn’t have bought because they’re a little outside their wheelhouse.

Making more money from page reads

Everyone wants this, but Amazon is watching for people gaming the system, so be careful not to do anything wonky with formatting or bonus material. Be safe with that stuff so you won’t be penalized, because you don’t want your attempt to earn a couple hundred extra month to suddenly result in you earning nothing.

Probably okay to add the first chapter of the next book (less than 10% bonus material) and a Q&A or afterword, something the reader will genuinely want to read. But remember the litmus test: ask yourself if you would be adding this bonus material if this book weren’t in KU.

Legitimate ways (craft stuff):

• Write a page turner!
• Write a sprawling epic (it still has to turn pages).
• Teaser/cliffhanger endings to get them to move on to the next book.

Listener Questions:

 Dale: I’m currently wide, but I’m considering KU for my next series. So, my question: What are some approaches/tactics etc for succeeding in KU when you are *not* rapid releasing?

Greg: (1) Is there a “sweet spot” for how many books to have in a series before profits/page reads start falling off? (2) Better to offer a “standalone” freebie or a more “sequel-lite” novella for funnel, list-building, etc.?

MJ: Would you lean more towards FB or AMS ads if you wanted to focus on drivin up page reads and brand building?

Tara: Pricing strategies, especially for romance, especially for books that can be read as a stand-alone. I don’t like pricing at 99c, but it seems to be the popular way to rank well.

Tara: Oh, any insight into sweet spots for word count, though I do understand that it varies by genre.

Jammie: Thoughts on current “glitches” reflecting zero or low page reads and instances of book disappearance. Seems some (usually successful) authors launch to silence or messed up promos. How do you handle Amazon’s glitches and recover from a bad launch as a result? Wait it out?

Jammie: Watching fb groups and feeling skittish as a newcomer. Investing in marketing and promos with Amazon sort of feels like playing the stock market.

Vale: If you’re exclusive to KU on a pen name but want to release a reader magnet standalone novel set in the same world as the main series, would you make it 99 cents and exclusive for the page reads or go the wide route for just that book to get Amazon to price match it to permafree?

Jon: Since KU subscribers can’t preorder, what’s a good way to get KU subscribers interested pre-launch?

Beth: How do you determine that a series has run its course for page reads and should be removed from KU to go wide?

 

 

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