SFFMP 208: Improving Visibility, Launching New Pen Names, and the “Trifecta of Indie Success”

This week, we’re joined by fantasy and science fiction author Nicholas Erik, who also writes and experiments under the pen name D.N. Erikson. He’s an analytical guy who’s always observing what’s working and what’s not, both for his own work and for others. Before we jump into the details of the show, here are links to his site where he’s got some great foundational material up:

http://nicholaserik.com/start/

And here’s the guest post on advertising that he did on David Gaughran’s blog:

How to Advertise and Sell More Books

Now, here are some of the details we discussed in the show:

  • Reasons for launching a pen name and whether it should be secret or not.
  • Trying a new series and new genre when you’re not getting the results you hoped for from your first effort.
  • Nick’s “trifecta of indie success” — marketing, craft, and productivity.
  • Tips for increasing productivity and getting more novels written.
  • Linking writing with a certain time of day (i.e. when you get home from work or when you first get up in the morning), so it’s easier to turn it into a daily habit. Here’s a guest post Nick wrote with more details on the habit linking: https://thewritepractice.com/daily-routines
  • Timed writing sprints to help get the words down.
  • Why so many people’s marketing efforts end up failing, because the craft wasn’t there and readers didn’t continue past Book 1.
  • Whether you should wait to start marketing until you’ve finished your first novel or start “building a platform” while you’re still working on it.
  • Some of the basics of setting up a mailing list and where to find cross-promotional opportunities to start gaining subscribers.
  • Using Prolific Works (formerly InstaFreebie) to find promo opportunities and give away free stories for sign-ups.
  • Another give-away site he’s found useful is Ryan Zee’s Book Sweeps (this was down at the time of recording, but we’re including the link in the hope that it’s up again soon).
  • If there’s a number to aim for when it comes to acquiring email subscribers.
  • Whether you should have multiple lists if you write in different genres and/or under different pen names.
  • Nick likes Convert Kit for managing his lists.
  • Whether there’s truth to Kevin Kelly’s “1,000 true fans” essay — is that all you need to become a full time author, and what’s a true fan, anyway?
  • If promo sites are still worth it in this age of Facebook/Amazon/Bookbub PPC ads.
  • Nick’s big list of promo sites and his rankings for how effective they are (updated a couple of months ago): http://nicholaserik.com/promo-sites/
  • Some of the fundamentals of advertising and at what point it has the potential to become profitable (it’s tough these days to even break even on a stand-alone book), assuming you do enough things right.
  • Debating the ideal length of a series.
  • The advertising advantage people in Kindle Unlimited have, from KU reads even on free books to making things appealing through Countdown Deals. (Nick mentions that there’s a lot more information on using the Kindle Countdown Deals effectively in David Guaghran’s free book, Amazon Decoded, which is a bonus when you sign up for his newsletter (sign up over at his site: https://davidgaughran.com/).
  • Some of Nick’s tips when it comes to Facebook ads.

It was a jam-packed show, so hopefully you got something out of it. Make sure to check out Nick’s site, and you can also take a peek at some of his books under his name and others under his pen name on Amazon.

 

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SFFMP 207: Podcasting Fiction to Gain an Audience for Your Books

This week, humorous science fiction author James R. Tramontana joined the guys on the show. He’s podcasting his Ace Tucker Space Trucker novels, and we asked him all about how he’s gaining fans that way, people who go on to buy the books.

Here are some of the specifics from the show:

  • What’s involved with podcasting your novel or podcasting original audio fiction (and why you might want to).
  • Getting set-up (equipment and software) for recording and editing.
  • Adding music, sound effects, etc. and creating more of a production than a simple narration of a book.
  • The challenges of selling niche stuff like humorous science fiction.
  • How James uses social media, conventions, and other methods to get the word out about his podcast.
  • The challenges of being found when you upload fiction podcasts, since the searches aren’t always great when you’re not using typical keywords.
  • Going for a comic-book vibe with humorous fiction.
  • Monetizing your fiction when you’re doing something more than just the written word.
  • Why James likes “sitcom length” podcast episodes of less than 30 minutes.

If you’re interested in checking out James’ work, you can visit his website, say hi to him on Twitter or Facebook, and find his books on Amazon. If you want to subscribe to his podcast, the links and episodes are on www.acetuckerspacetrucker.com.

 

 

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SFFMP 205: Writing for Star Wars, Podcasting, Patreon, and if Awards Help with Marketing

Our guest for this week’s show is long-time podcaster and slightly less long-time science fiction and fantasy author Mur Lafferty. She is the author of the Nebula and Hugo-nominated Six Wakes, The Shambling Guides, and I Should Be Writing: A Writer’s Workshop. Her most recent publication is Solo, the Star Wars movie adaptation, which we asked her all about during the interview. She also hosts the popular I Should Be Writing and Ditch Diggers podcasts (the latter is about the publishing industry, not actual ditch digging, FYI!).

Here are some of the specifics that we discussed:

  • How Mur got started in podcasting in the early days and created audio versions of some of her fiction.
  • Whether she’s an outliner or a pantser.
  • How the Forest app (here’s the link) helps her avoid distractions.
  • Talking money, agents, experiences with publishers, and the stuff that doesn’t always get mentioned on her Ditch Diggers podcast.
  • Getting involved on Patreon as a podcaster and a writer.
  • Finding the right rewards for Patreon subscribers of different levels.
  • A reminder that it’s tough to make any headway on Patreon or Kickstarter without an existing fanbase.
  • How Mur got involved in the Star Wars universe and landed the Solo gig.
  • The process of writing a novelization of a movie for Star Wars.
  • Whether the pay for movie-tie-in stuff is comparable to a regular traditional publishing deal.
  • How publishers and agents look to see if you have an established platform and following before taking you on as an author.
  • A reminder that the publishing industry is quite small and that the professionals all know each other, so it’s important to be courteous on social media and at conventions.
  • Which social media platforms Mur likes for marketing.
  • Some of the numerous awards she has received and been nominated for and whether they’re helping to sell books.
  • How authors can use podcasting for marketing.

Don’t forget to visit Mur on her website and follow her on Twitter.

 

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SFFMP 204: Selling 10,000 Copies of Your First Novel with Joseph Malik

Today, we were joined by fantasy author, Joseph Malik, who published his first novel, Dragon’s Trail, in 2016 and has managed to sell 10,000 copies over the last two years, despite being a new author and new to marketing. We talked to him about some of the things he tried that didn’t work, plus what he tried that did.

*Note: a couple of swear words slipped out in this episode, so be careful if you’re listening in the car with young and impressionable kids (or dogs).

Here are some of the specifics that we talked about in the show:

  • Trying out a lot of hobbies such as sword fighting and martial arts to better learn how to make your fantasy novels seem realistic.
  • Tips for authors who wouldn’t mind trying to learn some of the combat stuff even if they’re busy with life and not athletically inclined.
  • Balancing including details and strong world building with keeping the story moving along and readers entertained.
  • Diana Wynne Jones’ Tough Guide to Fantasyland (and why your characters probably shouldn’t be eating stew after a long trek).
  • Publishing on a more traditional release schedule (Joseph published his first two novels about two years apart) and keeping the books selling when it’s a while between releases.
  • How his experience as a panelist at NorWesCon helped a lot with book sales for him.
  • Why Joseph publishes hard cover copies of his books and where he sells them.
  • How he’s sold most of his books at full price and intends to stick with that going forward.
  • Some of the marketing things he tried early on that didn’t move the dial much and what did work.

If you want to learn more or check out Joseph’s books, please visit his website: http://josephmalik.com/

 

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SFFMP 202: Lessons Learned from Putting Together Anthologies and Donating to Charity

This week’s show should be of interest to those authors who have considered putting aside the author hat temporarily to don the publisher/editor hat for a project or two.

Our guests were science fiction romance authors Veronica Scott and Pauline B. Jones, who also happen to be the editors and publishers of the Pets in Space series of scifi romance stories (with a pet theme, naturally). They just released their third one (Embrace the Passion: Pets in Space 3) and talked to us about recruiting authors for anthologies, publishing and marketing them, and what’s involved in donating a portion of the proceeds to charity.

Here are some more of the specifics that we covered:

  • How they got involved in this series of anthologies.
  • How they go out and recruit authors (some newer voices and some well-known authors with large followings).
  • Why they only accept original fiction rather than reprints.
  • What’s involved with giving part of the proceeds to charity (and why you need to check with a charity before using them in your marketing material).
  • Why it’s a good idea to sign a contract with a charity.
  • How they determine the order of stories in their anthologies.
  • If there are any stigmas from readers who are suspicious of authors/publishers who “use” a charity for marketing.
  • Their experience with hiring a PR person and why it’s been useful and worth the money.
  • Balancing earnings with their marketing spend to make sure there’s money for the charity and also that the authors get paid for their stories.
  • Why they’re releasing the stories wide instead of focusing on Amazon and KDP Select (Kindle Unlimited) for now.
  • Some of the challenges of marketing science fiction romance outside of the Kindle Unlimited ecosphere where romance of all kinds seems to thrive.

You can visit Veronica on her website, Pauline on hers, and check out the Pets in Space website. Or just pick up a copy here.

 

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SFFMP 201: Bookbub Ads Update and Cultivating a Successful Author Mindset

This week, we had return guest, crime-fiction author Adam Croft, on the show. We asked him about changes to Bookbub ads that have come about in the last year (he joined us in 2017 for Episode 151 All About Bookbub CPM Ads and Becoming a #1 Bestseller on Amazon), what he’s been up to, and why he’s written a book on author mindset.

Here’s some of what we covered in the show:

  • Adam’s latest releases and what he’s working on now.
  • How Bookbub ads have changed in the last year and why he still likes them, especially for advertising to the Apple iTunes store.
  • How he’s found some great success using Facebook ads on some of his novels but hasn’t gotten them to work well on others.
  • Why he’s a fan of thinking long-term and not going exclusive with Amazon.
  • The challenges of selling non-fiction as well as fiction and building platforms to draw in both types of readers.
  • How well non-fiction audiobooks can do.
  • The different things authors should be focusing on to turn writing from a hobby to a business.
  • Some of the struggles authors have when it comes to mindset.
  • How to decide who you’re going to listen to in the indie author space when it comes to taking advice.
  • How flexibility when it comes to pricing, packaging, and marketing a book can help you.
  • Striving to get multiple income streams coming in, even from a single book.

You can visit Adam on his website and check out The Indie Author Mindset at your favorite store.

 

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SFFMP 200: Marketing and Selling Audiobooks, Plus Producing and Distributing them through Findaway Voices

This week, Will Dages from Findaway Voices joined us to talk about producing, marketing, and selling audiobooks and some of the new options out there for indie authors. Findaway handles both production of audiobooks (by connecting you with narrators and producers) and distribution to many stores where you wouldn’t be able to upload direct.

Here are some of the specifics that we discussed:

  • Where Findaway distributes audiobooks.
  • Some large players such as Kobo, Google Play, and Walmart that are getting into audiobooks.
  • Selling to libraries.
  • How you can distribute audiobooks both through them and with ACX/Audible (by choosing the non-exclusive option on Audible).
  • Taking advantage of their option to set your own price — 99 cents and free are allowed for short stories, series starters, etc.
  • How launching everything together (ebook, audiobook, and paperback) tends to help you sell a lot more audiobooks.
  • Setting up a launch even if you published your ebook and print edition long ago.
  • The drop-and-drip method for putting out a series of older books that you’re turning into audiobooks.
  • How Findaway helps set you up with potential narrators if you want to produce your audiobooks through them.
  • Uploading audiobooks that you produced elsewhere.
  • How often authors get paid and the $100 minimum threshold before payout.
  • Some of the challenges of promoting your audiobooks and what works to move the dial.
  • Subscription and credit-based purchase systems.
  • Creating audiobook bundles of your series to entice people with more hours.
  • Audiobook Boom as a promo site where you can basically trade audiobooks for reviews.
  • Findaway’s new Authors Direct platform where authors will be able to sell their audiobooks for a 70% royalty and direct listeners who want to redeem free books with codes.

If you’re interested, you can find out more at the Findaway Voices website or check them out on Twitter.

 

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SFFMP 198: Mastering Amazon Ads with Brian Meeks

Jo and Lindsay talked with the famous (not infamous!) Brian Meeks today, author of Mastering Amazon Ads, as well as thrillers, satire, and science fiction (under a pen name). He started tinkering with Amazon ads a couple of years ago when they first came on the scene, and they turned into a game-changer for him, allowing him to sell a lot more books and eventually quit the day job.

Now, he spends a lot of time in his Amazon ads Facebook group helping other authors, and he’s also got a course you can sign up for if you want more than is in his book. If you want to check it out, he’s offering our listeners 30% off — throw in the coupon code of SFFMP30.

Mastering Amazon Ads: An Author’s Course

Here are some specifics we covered in the show:

  • The basics of Amazon ads and how they work.
  • The difference between product display ads and sponsored product ads (and why Brian is a big fan of the former even though most people jump on the latter).
  • How long you should wait to see if an ad is going to catch and run well.
  • How recent changes to the ad system (August 2018) have got everyone bidding higher right now and authors may want to wait until things settle down again.
  • Why you should be patient and give everything time before raising the bid or selecting the new option to increase your bid up to 50%.
  • Whether it makes sense to advertise books that are wide and that can’t make money from page reads in Kindle Unlimited.
  • Whether it’s possible to pay for ads on a free ebook and come out ahead (i.e. when it’s a series starter).
  • How good copywriting is important, not just for the ads but for your book description.
  • Having an effective hook and drawing the reader to click more on Amazon.
  • How much time it really takes to get Amazon ads to move the dial for you — it’s not a quick fix or a set-it-and-forget-it method.
  • Once you get some success, scaling it.

Don’t forget to check out Brian’s Mastering Amazon Ads book, and you can also take a peek at his fiction. He’s written some scifi under Arthur Byrne starting with The Magellan Apocalypse.

 

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SFFMP 197: From Cosplayer to Full-time Fantasy Author with NM Howell

This week, fantasy author NM Howell (AKA Nikko) joined the guys to talk about her journey from semi-pro cosplayer (yes, that’s a thing!) and magazine creator to full-time fantasy author.

Here are some of the details that we covered:

  • Cosplaying and starting a magazine.
  • Getting into publishing fantasy under multiple names (NM Howell also writes as Nicole Marie).
  • Genre hopping with witch cozies, YA fantasy with dragons, and reverse harem fantasy mysteries.
  • The challenges of starting and maintaining multiple pen names.
  • Are there too many dragon fantasy novels out there now to jump in?
  • Starting out with Amazon exclusivity (KDP Select/Kindle Unlimited) and gradually making some series available everywhere.
  • How some advertising venues (Facebook, Amazon AMS, Bookbub, etc.) work better than others for different genres. Nikko likes Facebook for her fantasy romance and Bookbub for her cozies.
  • How she’s found success with rapid releasing the first two books in a new series.
  • Experimenting with permafree Book 1s.
  • Does marketing later books in a series work?
  • Whether big multi-author bundles are still worth it as far as getting readers to try more of your stuff.

You can find Nikko on Facebook, Twitter, and her author website, and check out her books on Amazon. Her first witch adventure Murder Any Witch Way is currently free, and her first Cats, Ghosts, and Avocado Toast novel is free with a Kindle Unlimited subscription.

 

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SFFMP 196: Writing Tips, Selling Short Fiction, and What SFWA Can Do for You with Cat Rambo

This week, fantasy author and SFWA president Cat Rambo joined us on the show, and we grilled her about writing and selling short fiction, her experience at the Clarion West Writers’ Workshop, what SFWA is doing for authors these days, and her latest novel, Hearts of Tabat. Among other things!

Here are some of the specifics we covered:

  • How Cat got serious about writing when she quit her day job at Microsoft and attended the six-week Clarion West Workshop.
  • How workshops can help a writer grow.
  • Whether you have to worry about having your voice altered in the process.
  • Some of the workshops Cat recommends and what to watch out for if you’re considering a less well known one (especially an expensive one).
  • Her Rambo Academy for Wayward Writers where she helps new genre voices emerge via on-demand and live classes aimed at writers working in fantasy and science fiction (scholarships available for those short on funds).
  • Getting started with short fiction.
  • Tips for writers who tend to go long when they try to write short stories.
  • Mistakes writers make when submitting to magazines and anthologies.
  • How crowdfunding such as Kickstarter has made anthologies more doable.
  • How Cat ended up publishing her first two Tabat novels through Kevin J. Anderson’s Wordfire Press (which he talked about when he was on Episode 194 and Episode 138) and how marketing goes when working with a small press.
  • Some tips from her recent non-fiction publication Moving from Idea to Finished Draft.
  • What’s been going on at SFWA since we had MCA Hogarth on the show back on Episode 20 (more than three years ago!) and why both trad and self-published may find a membership useful.
  • What it takes to qualify for SFWA membership.
  • Benefits that come with SFWA membership and how the Nebula convention has changed over the years to have helpful panels for all.

If you enjoyed the show, you can follow Cat on her blog and check out her newest novel, Hearts of Tabat. You can also sample her short fiction in Near + Far and Neither Here Nor There.

 

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